I was recently asked what my angle is for Consortya and how I plan to handle the differences between those fans who watch live performers and those who will interact with live performances in Consortya. I think that is a fair question, and I wrote a pretty long response. I adapted that response to catalog it here.
How do I plan to combat the differences in the demographics of the audience: an audience of people who would go to see you at a club or concert hall, vs an audience who wants to engage with your music from home or a friend’s house?
Continue reading “Audience”